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New Books Core Catalogue
OBEAH, A SORCEROUS OSSUARY
Nicholaj De Mattos Frisvold
1st 2013 88pp Hadean Press hardback in d/w. Illus.
Of all the Living Traditions, Obeah has remained the most elusive. Whilst Vodou and Santeria have had both academic and occult treatment in tomes widely available to the seeker, Obeah has stayed uncompromisingly rooted as a sorcerous tradition veiled in obscurity. In Obeah: A Sorcerous Ossuary, Nicholaj de Mattos Frisvold teases open this Caribbean mystery and reveals a crooked path into the hidden world of Papa Bones and Sasabonsam with a short monograph concerning the history of this incoherent cult and the ways in which power is bestowed upon and wielded by the Obeahman. The text includes the Kabalistic Banquette of Lemegeton, the Hypostasis of Abysina Clarissa and the Green Beasts, a Kabalistic Mass for Anima Sola Mayanet, a Call to Papa Bones, a Call to Spirit Guides, a Call to Anima Sola Abysina Clarissa, the Missale Ezekiel Sasabonson or the Conjuration of the Shadow-Self, and the Ritual Reptilica de Anansi, and offers insights into the Obeahman’s relationship with the spirits of wood, water, and bone. £20.00
SWORN BOOK OF HONORIUS
Liber Iuratus Honorii
2016 240pp Ibis h/b in d/w. Illus. NEW.
As the title testifies, students were sworn to secrecy before being given access to this magic text and only a few manuscripts have survived. Bits of its teachings, such as the use of the magic whistle for summoning spirits, are alluded to in other texts. Another key element of its ritual, the elaborate “Seal of God,” has been found in texts and amulets throughout Europe. Interest in THE SWORN BOOK OF HONORIUS has grown in recent years, yet no modern translations have been attempted - until now.
Purporting to preserve the magic of Solomon in the face of intense persecution by religious authorities, this text includes one of the oldest and most detailed magic rituals. It contains a complete system of magic including how to attain the divine vision, communicate with holy angels and control aerial, earthly and infernal spirits for practical gain.
Largely ignored by historians until recently, this text is an important witness to the transmission of Kabbalah and Jewish mysticism to European Hermeticists. £30.00
CHILDREN OF LUCIFER
The origins of modern religious Satanism
Ruben van Luijk
1st 2016 632pp Oxford University Press h/b in d/w.
Children of Lucifer explores the historical origins of Satanism, the "anti-religion" that adopts Satan, the Judeo-Christian representative of evil, as an object of veneration. Ruben van Luijk traces its development from a concept invented by the Christian church to demonize its internal and external competitors, to a positive (anti-)religious identity embraced to varying degrees by groups in the modern West.
Van Luijk offers a comprehensive intellectual history of this long and unpredictable trajectory; a story that involves Romantic poets, radical anarchists, eccentric esotericists, Decadent writers, and schismatic exorcists, among others, culminating in the establishment of the Church of Satan by carnival entertainer Anton Szandor LaVey. Yet, he argues, this story is more than just a collection of colorful characters and unlikely historical episodes. The emergence of new attitudes towards Satan proves to be intimately linked to the Western Revolution―he ideological struggle for emancipation that transformed the West and is epitomized by the American and French Revolutions. It is also closely connected to secularization, that other exceptional historical process during which western culture spontaneously renounced its traditional gods in order to enter into a self-imposed state of religious indecision. Children of Lucifer, thus, makes the case that the emergence of Satanism presents a shadow history of the evolution of modern civilization as we know it. £25.99
CYPRIANA: OLD WORLD
Alexander Cummins, Jesse Hathaway Diaz & Jennifer Zahrt (eds)
1st 2016 208pp Rubedo press trade p/b. Col. illus. inside covers. NEW.
Cypriana: Old World gathers the lore and praxis regarding the good Saints Cyprian and Justina of Antioch, the famed sorcerer-saint and the steadfast virgin-martyr, through bringing together diverse and divergent essays regarding Cyprianic traditions and practices. Recently the focus of a resurgence of interest in the English-speaking world, the Saints Cyprian and Justina stand at a crossroads of the Old and New Worlds, and form an intermediary nexus of Christian thaumaturgy and older pagan mysteries uniquely celebrated in European Magic and its permutations world-wide. Our Saints inspire through their patronage both the Devout and the Heretic alike to new sorcerous endeavors, and this volume coheres around Cyprianic history and the magic of the Old World of Europe. Includes original source material. Plus pieces by Jake Stratton-Kent, Joseph leitao, Cyprian books in Scandinavian magic etc. £20.00
VERDANT GNOSIS: CULTIVATING THE GREEN PATH
Catamara Rosarium and Jenn Zahrt, PhD (eds)
1st 150pp Rubedo Press trade p/b. NEW.
Selections from the Viridis Genii Symposium. Verdant Gnosis is a poetic rendering of the Latin expression, Viridis Geniii, which refers to the collective spiritual intelligence of our botanical environment. Viridis means ‘green, verdant, growing’—all that is lush and nourishing; while genii is the origin of the words ‘genius’ and ‘genie’—the spirit, daemon, or guiding intelligence of an entity. Viridis Genii—the verdant gnosis—is thus the spiritual path of working with the intelligence of living nature. £16.99
VERDANT GNOSIS II: CULTIVATING THE GREEN PATH
Catamara Rosarium, Marcus McCoy & Jenn Zahrt, PhD (eds)
1st 166pp Rubedo Press trade p/b. NEW.
This second volume includes material by Daniel Schulke, Jesse Hathaway on the Mandragora etc. £16.99
A BOOK OF THE OFFICES OF SPIRITS
The Occult Virtue of Plants and Some Rare Magical Charms & Spells Transcribed ... from a Sixteenth Century Manuscript on Magic and Necromancy.
From a manuscript by by John Porter, transcribed by Frederick Hockley, With an Introduction by Colin D. Campbell.
1st 2011 102pp Teitan Press 4to h/b. Illus. Ltd. ed. 800 copies.
A Book of the Offices of Spirits is the first ever publication of this Solomonic text or grimoire which, in common with the better-known "Goetia," is essentially a catalog of demons, giving their name, description, rank in the infernal hierarchy, number of attendant legions, offices (abilities), as well as a variety of magical rituals for their conjuration and other purposes. The text has its origin in a magical manuscript written by one John Porter in 1583, which was itself probably drawn from earlier European sources. In the early nineteenth century the Porter manuscript came into the possession of the British occult fraternity, "the Mercurii," and a transcription of key sections was compiled by John Palmer. Palmer's transcription was in turn copied by the renowned occult scholar Frederick Hockley, and this transcription, along with another anonymous late nineteenth century manuscript copy, for the basis for the present work.
Colin D. Campbell, author of The Magic Seal of Dr. John Dee has edited and written an Introduction for the book in which he examines the history of the manuscript, its place in the Goetic canon, and its relevance to contemporary occultists. £37.50
ABRAHAM THE JEW ON MAGIC TALISMANS
From a manuscript by Frederick Hockley
1st 2011 102pp Teitan Press. Illus. Ltd. ed. 800 copies.
Abraham the Jew on Magic Talismans is a previously-unpublished manuscript by Frederick Hockley, probably transcribed by him circa 1850 from an earlier work. The manuscript deals with the creation of talismans, and is divided into two parts, the first of which details methods for their manufacture "under the fixed stars" and the second "under the twenty-eight mansions of the moon." Both sets of concepts were popular in mediaeval and later European astrological and magical practice, having apparently been incorporated into them from Arabic astronomical and astrological treatises composed during the "Golden Age" of Arabic science from the middle of the 8th to the middle of the 13th centuries
This first published edition comprises an Introduction in which Silens Manus explores the history of the manuscript, and its relationship with other early magical works, notably those of Cornelius Agrippa. It is followed by a typeset transcription of the text of the manuscript, with explanatory footnotes, etc., and a reproduction of various relevant passages from the 1651 edition of Agrippa's Three Books of Occult Philosophy. The final section is a facsimile of the original manuscript, printed on special coated paper that gives a photograph like quality to the reproduction. £44.99
INVOCATING BY MAGIC CRYSTALS AND MIRRORS
1st 2010 92pp Teitan small hardback. Col. illus. Numbered edition of 600 copies.
Invocating by Magic Crystals and Mirrors contains a full colour facsimile of an original manuscript by Frederick Hockley, a transcription of the text, an Introduction by R. A. Gilbert, and other related material.
Invocating by Magic Crystals and Mirrors is one of Hockley's own writings. In it he describes the philosophy and method of "crystallomancy" ("crystal gazing" or "scrying through crystals or mirrors"), a practice which has long been associated with ritual magic. John Dee and his seer Edward Kelly were of course famous proponents of the system during the Elizabethan years, and after a period of relative obscurity it had found a new popularity in Spiritualist circles during the nineteenth century. Hockley's is a short work, that is reproduced from an original manuscript, dated 1869, that he presented to Barbara Honywood, a well-known society Spiritualist of the time. Honywood was said to have mediumistic powers, and it seems likely that Hockley prepared and gave the manuscript to her in the hope that it would excite her interest in the process, and perhaps help induce her to act as his "seer." £38.50
CLAVIS ARCANA MAGICA
Frederick Hockley, With an Introduction by Alan Thorogood.
1st 2012 84pp Teitan Press h/b. Illus. No d/w as issued. Ltd. Ed. 650 numbered copies.
Clavis Arcana Magica is an unusual text for Hockley in that it is largely concerned with what might be considered "black magic." As Alan Thorogood describes in his Introduction, it gives instruction for the performance of a number of magical workings, the details of which were said to have been obtained for Hockley via his seer Emma, during a series of scrying operations undertaken between 1853 and 1856. The workings are preceded by instructions including the form of the "call to the crystal," the exorcism and the discharge. The first working outlines a method to call the spirits of five material substances or organisms for the purpose of receiving cognate visions, the second is a variety of praestigia for the revivification of animal as well as plant species, the third outlines the construction of a talisman which permits the operator to enter the “spirit state” while asleep, and the fourth is necromantic ritual said to be "of marvellous power and force." This first publication of the text comprises an Introduction by Alan Thorogood, followed by a typeset transcription of the text of the manuscript, with explanatory footnotes, etc., and a facsimile of the original Hockley manuscript. £37.50
Magnus Rafnsson (trans)
1st 2014 134pp Strandagaldur trade p/b. Illus. NEW
Theis book of magic was copied by hand on a small farm in Iceland, Strandir district, in 1928 and gives an excellent example of the magic which survived ever since such manuscripts were presented in 17th century courts. Contains a facsimile copy of the entire manuscript with an english translation. £19.99
DR. RUDD’S NINE HIERARCHIES OF ANGELS
Frederick Hockley, John Dee et al. Edited with an Introduction by Alan Thorogood.
1st 2013 180pp Teitan Press. Illus. Ltd. Ed. 880 copies.
The first ever facsimile publication of this manuscript version of Dr. Rudd's Nine Hierarchies of Angels which was compiled by Frederick Hockley during the 1830s. The manuscript comprises three distinct but connected texts; "Dr Rudd’s Nine Hierarchies of Angels" (a work in part at least derived from a seventeenth century manuscript "Janua Magica Reserata"), the English translations of John Dee’s angelic keys, and the invocations of the angels relating to the 'table of the earth.' The book includes a comprehensive Introduction by Alan Thorogood, followed by a typeset transcription of the text of the manuscript, with explanatory footnotes, etc., and a facsimile of the original Hockley manuscript with color preliminary pages. As is now well known, Frederick Hockley (1808-1885) was an occultist and freemason whose interests included scrying, ritual magic, alchemy and spiritualism. In later life Hockley was associated with the Societas Rosicruciana in Anglia and his peers considered him to be one of the great occult scholars of his time. One of the founders of the Golden Dawn, W. Wynn Westcott, held Hockley in such high regard that he posthumously and imaginatively claimed Hockley as one of the Order's most outstanding Adepts. £44.99
OF THE ARTE GOETIA
1st 2015 280pp Teitan Press hardback. Black cloth with gilt design stamped on front cover. Ltd. ed. 720 numbered copies.
Of the Arte Goetia is a significant new study of the text known as The Goetia by Colin Campbell, author of The Magic Seal of Dr. John Dee. In this work Campbell examines the evolution of "The Goetia", from the proto-Goetia of Wier's Pseudomonarchia Daemonum, through the first English translation in Scot's Discoverie of Witchcraft, and on to the English-language manuscripts from which most modern editions are drawn. Campbell reproduces the significant passages of each of these sources side-by-side, highlighting their differences, and allowing him to correct a number of errors, lacunae or redactions that the comparisons reveal. His researches also shed light on a number of obscure internal references, the meaning of which only becomes apparent when the viewed in the context of the historical development of the texts. Whilst largely an historical/textual exploration, Campbell also includes a short chapter in which he reflects on approaches to working with the forces of the Goetia. £49.50
ARS NOTORIA - THE NOTARY ART OF SOLOMON
Translated by Robert Turner, Transcribed and with Additions by Frederick Hockley.
Edited & Introduced by Alan Thorogood and with an Essay by Robin Cousins.
1st 2015 approx 300pp Teitan Press. Illus. Ltd. ed. 650 copies.
An important new edition of the Ars Notoria, the well-known mediaeval magical work (often termed a grimoire) that was designed to equip the practitioner of the magical arts with "knowledge of every science, of all arts and all learning ... in other words everything that is within human capacity to know." This Teitan Press edition is drawn from a manuscript by Frederick Hockley (1809-1885), which itself is based on the 1657 edition by Robert Turner. The volume begins with an Introduction by Alan Thorogood, in which he examines the history of the Ars Notoria, the different versions of the text, and the context in which Hockley prepared his manuscript version. This is followed by "The Philomath," a significant 24 page biographical study (with bibliography) of Robert Turner, the original translator of the Ars Notoria and a major figure in post-Elizabethan British occultism, about whom little has been known until now. Then there is a complete transcription of Hockley's manuscript of the Ars Notoria, edited with explanatory footnotes and in comparison with other versions of the text (including Turner's and the Latin critical edition). The book ends with a 140pp facsimile of the original Hockley manuscript. £47.50
THE PAULINE ART OF SOLOMON
Transcribed and with Additions by Frederick Hockley.
Edited & Introduced by Alan Thorogood.
1st 2016 approx 232pp Teitan Press h/b. Illus. Ltd. ed. 650 copies.
A significant new edition of this well-known magical text, comprising an Introduction by Alan Thorogood, a typeset transcription of Hockley's manuscript, and a black and white photo facsimile of the original Hockley manuscript. Traditionally, The Pauline Art, was one of five books (along with the Goetia, Theurgia Goetia, Ars Almadel and Ars Notoria) which were gathered together to form the compendium Lemegeton, Clavicula Salomonis Rex or the Little Key of Solomon the King which seems to have first circulated in manuscript form at the very end of the seventeenth century. This edition reproduces a transcription of a 1715 manuscript of The Pauline Art which was made by Frederick Hockley in 1838. The Pauline Art is in two sections, the first of which concerns the spirits of the twenty-four hours of the day, whose functions are "to do all things that is Attributed to the 7 Planets," their seals, and method of conjuration, whilst the second is concerned with the angels of the 360 degrees of the zodiac, with the primary purpose of determining the names and invoking the guardian angel or genius. Either deliberately or otherwise the text of the Hockley manuscript is abbreviated, and the accompanying diagrams for the most part incomplete. Thorogood addresses these issues in his Introduction and transcription, either supplying the wanting material, or indicating where it can be readily found. Importantly Thorogood provides a detailed history of the text, identifying many of its major sources (some for the first time), as well as offering corrections to a number of significant errors that had crept into the manuscript version over the years. £49.50
THE CAMBRIDGE BOOK OF MAGIC
A Tudor Necromancer’s Manual
Paul Foreman (attrib)
1st 2015 138pp Texts in Early Modern Magic h/b in d/w. Frontis.
Paul Foreman was a sixteenth-century necromancer who used the traditional prayers and liturgy of the pre-Reformation church in an effort to coerce and control angels and demons to do his bidding. Or, at the very least, he was an early owner of the manuscript that, in this edition, bears his name. The name ‘paul foreman’ appears close to the front of the manuscript, apparently in the same hand as the rest of the treatise. The Cambridge Book of Magic is a collection of 91 ‘experiments’ in Latin and English, whose contents ranges from comparatively innocent tricks (making a silver coin look like a bronze one, for example) to more disturbing sorcery designed to torture one’s enemies, taking in some bizarre magical operations on the way (such as a procedure for making a magical bird by keeping flies in a jar). Although ritual invocations of angels and demons predominate, the text also includes naturalia such as the manipulation of astrological forces and the creation of monsters, and a strong strand of herbalism which recurs throughout the text. The Cambridge Book of Magic was probably written between 1536 and 1541, and certainly between 1532 and 1558, by a man learned in the liturgy and practice of the church. He was not a priest but he was probably in minor orders, and could have been an ex-monk making use of his magical learning in the local community after his ejection from a monastery in 1536 and 1539. This possibility is suggested by some of the contents of the text, as well as the fact that the manuscript originally came wrapped in a leaf from an illuminated medieval gradual, probably from a monastic context. The Cambridge Book of Magic gives a glimpse of the medieval tradition of ritual magic at the very cusp of the English Reformation, and as such it has the potential to advance our understanding of the relationship between religion and magic at this crucial period. The original text is printed alongside a complete translation of the Latin portions of the text, and a rendering of the English portions into contemporary English spelling. £24.99
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