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1st 2018 112pp Scarlet Imprint. Bound in a shimmering 'sandstorm' cloth, foil blocking on front and spine, textured ebony endpapers. Ltd. ed. 1000.
Jinn Sorcery by Rain Al-Alim is a compilation of jinn conjurations and rituals translated from rare Arabic manuscripts in the author's private collection.
Following an introduction summarising traditional beliefs about the world and nature of the jinn, the author proceeds to give a brief outline of the Middle Eastern occult methods for summoning these beings, techniques of dream divination, the mandal and invocation. The main body of the work comprises translations into English of numerous rituals and operations selected from manuscripts, primarily from Egypt and Morocco, in the author's collection. £35.00
1st 2018 152pp Scarlet Imprint. Fiery red cloth stamped in black, blackened edges, textured black endpapers, and red dust jacket. Ltd. ed. 504 copies.
The 72 demons, devils and monstrous beasts constrained within this 'book without words' by Ayis Lertas are iconic of all the vices, ills, impure appetites and perverse passions that thrive in the life of humankind.
In a style evocative of illustrations from medieval manuscripts, the artist presents, without explanation, a study of the afflictions that vex, tempt, thwart and harm us. These he has extracted from raw experience and distilled through art, so that a multitude of malign forces might be captured in the form of images to illuminate the obscure depths of the psyche. Contemplating these illustrations, unmediated by text, will provoke a personal response in the viewer, the images acting in accordance with one's capacity, or resolve, to penetrate the wilder reaches of the inner world. For some this will be a medicine, or a drug, for others a source of sensual and intellectual arousal.
The phantasmagoria of 72 draws from the long history of European demonology, but is marked by the acuity and black humour of the artist. £33.00
1st 2015 224pp Scarlet Imprint. Chartreuse shot silk, cropped d/w, both stamped with crown emblem, Ltd. ed. 1000 copies.
Lucifer: Princeps is a seminal study on the origins of the Lucifer mythos by Peter Grey. It is the first in a two volume work; the companion volume, Praxis, being an exposition of ritual actions, is due to be published in 2016.
The fall of Lucifer, and that of the rebel angels who descended upon the daughters of men, comprise the foundation myth of the Western occult tradition. Lucifer: Princeps is a study of origins, a portrait of the first ancestor of witchcraft and magic. In tracing the genealogy of our patron and prince, the principles that underlie the ritual forms that have come down to us, through the grimoires and folk practices, are elucidated. The study draws on the extensive literature of history, religion and archaeology, engaging with the vital discoveries and advances of recent scholarship, which render previous works on Lucifer, however well intentioned, out of date. A concomitant exegesis of the core texts conjures the terrain and koine of the Ancient Near East, the cradle cultures and language of his nascence. Of critical importance are the effaced cultures and cults that lie behind the Old Testament polemics, viz. those of Assyria, Ugarit and Canaan, as well as Sumeria, Egypt and Greece; they provide the context that give meaning to what would otherwise be an isolated brooding figure, one who makes no sense without being encountered in the landscape.
Intended to be the definitive text on Lucifer for the witch, magician and student of the grimoires, Princeps spans wingtip to wingtip from the original flood myth and legends of divine teachers to the Church Fathers, notably Augustine, Origen and Tertullian. The tales of the Garden of Eden, the Nephilim, of the fall of Helel ben Sahar and the Prince of Tyre, the nature of Azazel, and the creation of the Satan are drawn beneath the shadow of these wings into a narrative that binds Genesis and Revelation via the Enochian tradition. The story of the Serpent in the Garden and that of Lucifer are revealed to be a singular myth whose true significance had been lost and can now be restored. It illuminates the path to apotheosis, and the role of the goddess as the transforming initiatrix who bestows the crown. £50.00
Also available in rouge paperback edition £16.00
1st 2014 176pp Scarlet Imprint. Illus. Mandarin cloth, stamped with a unicorn head in silver and gold, embossed azure endpapers. Ltd. ed. 530 copies.
Reasonances is an anthology of selected essays, lectures and interviews by occultural pioneer Carl Abrahamsson. A subversive, creative, psychedelic collection of 23 essays spanning thirteen years at the forefront of occulture and magic , followed an interview with the author by Sylvie Walder . The unifying question of this diverse and stimulating collection can perhaps be stated thus: how does magic hack culture? Or perhaps even: what is the role and magic of the artist?
Abrahamsson proposes strategies of engagement that draw from TOPY, Thelema and Satanism, with which he is intimately acquainted. His magic is that of the interzone, the hinterland, of the unseen forces that drive culture forward. Reasonances is therefore a nexus of heretical possibilities investigated with a calm reflection that goes beyond his native Scandinavian cool. It is with great generosity of spirit, a candour and lack of dogma that he outlines his understanding of magic as art. For Abrahamsson, boundless creativity is a necessary expression of Will. He suggests that we should be actively producing culture, artefacts, music, artworks, happenings. And that these ‘facts on the ground’ could be understood as a Gesamtkunstwerk, the Mega Golem, that will leak into popular and unpopular consciousness. He wants us to reason, to act, to live with meaning. To do our Will.
With an understanding of Magician as Artist, in a process of moving from what is hidden to what becomes seen, he employs a methodology that has become apparent in the thirteen years of work that this collection represents. Essays on the history of occult art, the formula of Babalon as supra-sexual transformation , the mechanics of magic, and more, provide a complete vision of a magician who is engaged with counterculture, occulture and incursions into the wider culture. Furthermore, he provides a constellation of Stars by which to navigate these evolving realms. Japanese masochist and master writer Yukio Mishima and German novelist Ernst Jünger are considered, as are Bulwer Lytton of Vril fame and Australian artist Rosaleen Norton. He twice interviews artist of light Kenneth Anger, and is found in conversation with Beat avant-garde filmmaker Conrad Rooks. He recites his death rune for mentor Anton LaVey, and eulogises his friend Lady Jaye. These ‘stars’ are carefully observed with his astrolabe, enabling us to see into the past, comprehend where we are in the present, and project ourselves forward into a magical future. £40.00
THE TESTAMENT OF CYPRIAN THE MAGE
1st 2014 2 vols 592pp Scarlet Imprint. Bound in a lapis night sky cloth, spangled with stars, with matching dustwrappers Printed in black and red throughout. Illus by Oliver Liebeskind. Ltd. Ed 800 copies.
This is the final work in Stratton-Kent's acclaimed Encyclopaedia Goetica series which began with The True Grimoire, a working reconstruction of the Grimorium Verum, and was followed by the monumental two volume Geosophia: The Argo of Magic which explored the necromantic Greek origins of Goetia.
The Testament of Cyprian the Mage is a fitting climax to this endeavour which has placed the author at the forefront of modern magic with a body of work that is both scholarly and aimed at practical application. All are standalone texts though benefit from being read as aspects of a single thesis: the importance of Goetia as the oldest continuous tradition of Western magic. As Stratton-Kent affirms, 'Goetic Magic ... if properly understood would regenerate Western magic and underline its immense cultural significance, on a level equal to any spiritual tradition in the world.'
The Testament of Cyprian the Mage is an ambitious and far-seeing work, addressing two ends of the magical spectrum: the Testament of Solomon and a version of the Iberian Book of Saint Cyprian. In doing so, key aspects of magical practice are revealed.
This work draws upon these texts to create a clear understanding of the practice of grimoire magic, not as a discrete or degenerate subset of ceremonial magic, but one which is integrated with folk magic and witchcraft. In particular we discover a shared dramatis personae, the infernal pact, and a common terrain of Wild Hunt and Sabbat.
Within the text we encounter the Chiefs, Kings and Queens of the grimoire tradition; the magical role of the Decans and their stones and plants; lunar magic and magical animals; the gods of Time; the Sibyl and the Hygromanteia; Asmodeus and Oriens; Angelology, Theurgy, Conjunction and the Pact, the Angelic Vice-regent and thwarting Angels; Asclepius, Iamblichus and Neo-Platonism; Paracelsus and the Elemental Spirits; Necromancy, and the principles of spell work.
As Jake writes, 'A primary purpose of this book is to explore the implicit mythology of grimoire spirits and the contexts from which it derives.' It does far more. This is a fundamental revisioning of magic with profound implications for the magical revival which we are all engaged in. Two Vols £90.00
1st 2014 112pp Scarlet Imprint h/b in d/w. 31 b/w photo illus. Ivory cloth stamped with the Blue She-Wolf, embossed black end papers. Ltd ed. 231 copies only. Tara Morgana is a work of pure magical writing. The title comes from the fusion of the Tibetan devi with Morgan Le Fay who is pursued as a mirage throughout this haunting text.
Part magical diary, part dreamscape, part Situationist dérive through the landscape, Tara Morgana is an enigmatic record of ritual practice from the poet, whose work has been described as: indefinable … laconic, occultist, and attached to the line of revolutionary and subversive yearnings. This is not a book about magic, rather, it is a magical book. Contemplation of the work reveals a wealth of hidden treasures, or as Holman says: each dreamed text is a terma in the mind. The text is introduced by Andrew Duncan, a respected poet and cultural critic, and by Peter Grey, giving insights into both the literary and magical character of Holman’s work.£40.00
1st 2013 200pp Scarlet Imprint h/b. Black linen boards stamped with white doves.
The spectre of witchcraft is haunting the West, the dead giving up their secrets. This is a ritual unveiling of these mysteries. It is a vision and a revelation of the mytho-poetic structure of the Art. Apocalyptic Witchcraft is a bold project which does not seek to impose an orthodoxy on what is the heresy of heresies. Instead, it suggests a way forward.
Apocalyptic Witchcraft gives a compelling and profound account of the Sabbat and Wild Hunt as living experiences. These are the core of our ritual practice. Dream, lunar and, critically, menstrual magic are explored as a path to this knowledge. The wolf, the Devil, and the Goddess of witchcraft are then encountered in a landscape that ultimately reveals the witch to her or himself. These are not separate threads, but arise from a deep mythic structure and are woven together into a single unifying vision. Alternating between polemic, poetic and ecstatic prose, an harmonious course is revealed in a sequence of elegant stratagems. The book is threaded together with a cycle of hymns to Inanna, pearls on the tapestry of night. Seemingly disparate aspects are joined into a vision which is neither afraid of blessing nor curse. This is a daring undertaking, born from both urgency and need. It offers a renewed sense of purpose and meaning for a witchcraft that has seen many of its treasured ideas about itself destroyed. An apocalyptic age demands an Apocalyptic Witchcraft, and this is a book which is offered up to revolutionise the body of the craft, a way out of the dark impasse.
Tradition is not static, it flows, and this work pours forth a vision for the future. Founded in pilgrimage and ritual, encountered in dreams and gleaned from the conversations of both doves and crows, a remarkable narrative unfolds. Its wings span from pre-history, through the witch-panic and it emerges fully fledged into our present moment of crisis. It offers a witchcraft for our time. Apocalyptic Witchcraft is a controversial, luminous text. A shuddering paroxysm of eternal renewal beneath the serpent moon. It is neither a how-to book, nor a history, rather it is a magical vision of the Art in its entirety. £40.00
1st 2016 312pp Scarlet imprint. Desert sand cloth, stamped in black on front and spine, embossed deep blue endpapers, and hammered gold d/w. Ltd. ed. 1000 copies.
A defining text of the new magical renaissance, Star.Ships addresses the question of who we are now by tracing where we come from, and by drawing out the stories and the spirits that have journeyed and evolved with us. The goal is, as Gordon writes, the restoration of context.
To this end, White applies his globally-recognised data and demographics skills to realise a groundbreaking work of truly interdisciplinary research. Utilising mythological, linguistic and astronomical data to reconstruct palaeolithic magical beliefs, he maps them to the human journey out of Africa; explores which aspects of these beliefs and practices have survived into the Western tradition; and what the implications (and applications) of those survivals may be for us.
Written for a magically literate and operative audience, Star.Ships displays the flair, wit and engagement with evidence that adherents of his runesoup blog have come to expect from Gordon. He deftly handles vast time scales and cosmologies to build his case; avoids the pitfalls of alternative historians with a refreshing absence of dogma or wishful thinking; and, in a masterful deployment of the latest research, simultaneously questions outworn dominant narratives and is not afraid to champion the work of independent researchers and entertain forbidden discourses. It is exactly what chaos magic should be.
Gobekli Tepe, the Pyramids and Sphinx, Nabta Playa, Gunung Padang, Easter Island and Sundaland are some of the points spangled across a work of truly cosmic scope. Star.Ships beckons those who are willing to engage in the adventure to follow the great river of history that flows into and out of an ocean of stars. Minds will be blown. £50.00
IFA: THE FOREST OF MYSTERY
Nicholaj De Mattos Frisvold
1st 2016 400pp Scarlet Imprint. Illus. Bound in vibrant red cloth, palm leaf stamped in green, embossed bitter chocolate endpapers. Ltd. ed. 736 copies.
Ifá: A Forest of Mystery by Nicholaj de Mattos Frisvold is a major study on the cosmology, metaphysics, philosophy and divination system of Ifá, written by a tradition holder and member of the council of elders, known as the Ogboni society, of Abeokuta, Nigeria.
Ifá – an alternative name for its prophet Òrúnmìlà – is a religion, a wisdom tradition and a system of divination encoding the rich and complex oral and material culture of the Yoruba people. The Yoruba culture is grounded in memory, an ancestral repository of wisdom, that generates good counsel, advises appropriate ebo (sacrifice) and opens the way to develop a good character on our journey through life and in our interactions with the visible and invisible worlds.
The work is a presentation of the first sixteen odù of the Ifá corpus of divination verses explained in stories, allegories and proverbs reflecting the practical wisdom of Ifá. The work is both a presentation of Ifá for those with little knowledge of it, and a dynamic presentation of the wealth of its wisdom for those already familiar with Ifá. The deities and key concepts of Ifá metaphysics are discussed, including: Obàtálá, Ònilé, Sàngó, Ògún, Oya, Òsányìn, Yemoja, Èsù, àse (power), egúngún (ancestry), ìwà (character), and ore (head/consciousness/daimon). Notably, Dr Frisvold has created a work which celebrates the Yoruba wisdom tradition and makes a bridge with the Western world. It is of value for the light that it casts on the origins and mysteries of Èsù and òrìsà, and an important source for those practicing Quimbanda, Palo, Santeria, Vodou and the African Diaspora religions. Yet its lessons are universal, for it is the art of developing character, of attracting good fortune and accruing wisdom in life. £45.00
THE GAME OF SATURN
Peter Mark Adams
1st 2017 320pp Scarlet Imprint large paperback. Illus.
The Game of Saturn is the first full length, scholarly study of the enigmatic Renaissance masterwork known as the Sola-Busca tarot. It reveals the existence of a pagan liturgical and ritual tradition active amongst members of the Renaissance elite and encoded within the deck. Beneath its beautifully decorated surface, its imagery ranges from the obscure to the grotesque; we encounter scenes of homoeroticism, wounding, immolation and decapitation redolent of hidden meanings, violent transformations and obscure rites.
For the first time in over five hundred years, the clues embedded within the cards reveal a dark Gnostic grimoire replete with pagan theurgical and astral magical rites. Careful analysis demonstrates that the presiding deity of this ‘cult object’ is none other than the Gnostic demiurge in its most archaic and violent form: the Afro-Levantine serpent-dragon, Ba’al Hammon, also known as Kronos and Saturn, though more notoriously as the biblical Moloch, the devourer of children.
Conveyed from Constantinople to Italy in the dying years of the Byzantine Empire, the pagan Platonist George Gemistos Plethon sought to ensure the survival of the living essence of Neoplatonic theurgy by transplanting it to the elite families of the Italian Renaissance. Within that violent and sorcerous milieu, Plethon’s vision of a theurgically enlightened elite mutated into its dark shadow – a Saturnian brotherhood, operating within a cosmology of predation, which sought to channel the draconian current to preserve elite wealth, power and control. This development marks the birth of an ‘illumined elite’ over three centuries before Adam Weishaupt’s ‘Illuminati.’ The deck captures the essence of this magical tradition and constitutes a Western terma whose talismanic properties may serve to establish an initiatory link with the current.
This work fully explores the historical context for the deck’s creation against the background of tense Ferrarese-Venetian diplomatic intrigue and espionage. The recovery of the deck’s encoded narratives constitutes a significant contribution to Renaissance scholarship, art history, tarot studies and the history of Western esotericism. Hardback sold out, this is the rouge paperback edition. £40.00
Further explorations in esoteric poesis
Ruby Sara (ed)
1st 2012 Scarlet Imprint. Copper shot crushed cloth. Black foil spirit of Mandragora stamped on front board. Ltd. ed. 450 copies only.
A companion volume to Datura comprising nine extensive essays and the works of 48 poets. A chthonic and deeply rooted work.
Pulled from the ground, its shrieks threatening madness, carved and anointed, given form and breath…so it is, the Word walks.
Dreams and revelations put to paper form the body of this second anthology of esoteric poesis. Datura, that silver deadly bloom, unfurled its petals to reveal the harmonics of inspiration born of moonlight, a narcotic song sung by a siren. Mandragora continues in this tradition, yet thrums also with its own chthonic music – the pulse of stars beneath the earth. The blood-body and the soul-mind meeting each other in the word, in things that grow and shift below – mycelia and nutritive rot, the green heart of a seed turning in the lightless deeps.
Yes, the poetry in Mandragora drives deep into the humus heart of experience – spellwork, praise, story, song. From the breathless brevity of haiku through the humming rhythm of the long meditation the thread of hidden history runs, telling in mosaic the story of the occultist, the witch, the worshipper, the scholar and the celebrant. Like Datura, this is a work of many voices from a rich diversity of practice, each burning the wick to illuminate a piece of the Great Work. Some voices will be familiar to those readers of the first anthology, some will be new, and all are testament to a continuing dedication to the sublime and challenging work of poetic and artistic craft in our communities.
In addition to the rich wilderness of poetry represented, Mandragora also presents nine essays on the nature of the strange, mad, chymical wedding of poet and magic, and the occult euphoria that follows it through time and space. Includes The Poet as God Seducer P.Sufenas Virius Lupus, Black Venus and Wise Hermes Phil Legard, On Cut-Up Alexander Cummins, A Spell to Awaken England Peter Grey, Magical Verse in Ritual Theatre Orryelle Defenestrate-Bascule, Burying the Poet Erynn Rowan Laurie, On Pessoa Jose Leitao, Houses of Death Jimmy T. Kirkbride and Head of Orpheus Michael Routery. £40.00
POMBA GIRA AND THE QUIMBANDA OF MBUMBA NZILA
Nicholaj de Mattos Frisvold
1st 2011 232pp Scarlet Imprint. 13 erotic illus. plus 40 pontos riscados.
A significant study on the cult of Pomba Gira, this is the most comprehensive work in the English language on the Devil's mistress, whose Brazilian cult has bewitched so many.
It is a book that those seeking congress with the current of strong female magical sexuality have long desired.
A beguiling spirit, Pomba Gira gives solace to the broken hearted, vengeance for the wronged, and a fierce path for those that would take her as muse.
In Pomba Gira Frisvold gives explicit workings, baths and waters, her songs and chants. Her plant allies among the nightshades are described in a full herbarium.
The attractions and dangers for both men and women who make cult to her are presented, as are her many faces. Pomba Gira has origins in the witchcraft of Portugal, the Basque Country as well as Congo and the native influences of Brazil.
The witchcraft fusion makes her cult particularly accessible to Westerners whose own traditions share much ground with Quimbanda.
Frisvold carefully unravels the skeins, revealing her origin in historical figures such as Maria Padilha, but more deeply still through archetype and myth to the very essence of her skin shedding nature.
He finds the origin of her name in Congo, the cult of divine possession amongst the slave camps of Brazil, and brings us through to her more modern manifestations and his personal work with the Queen of the Fig Tree in Hell. As an initiate and devotee, he gives an insider's view with the same respect and experience he demonstrates in Palo Mayombe: The Garden of Blood and Bones.
We walk through the Queendoms of Lyre, Cemetery, Sepulchres, Streets, Crossroads, Wilderness, Soul, Oceanshore and Calunga.
The workings of twenty four different Pomba Giras are given, from Cigana the gypsy to the split skull face of Rosa Caveira.
Through the razor blades in honey, the cigarette smoke and the sweet anisette spilt in the graveyard, Pomba Gira takes seductive shape.
Nicholaj de Mattos Frisvold is an anthropologist and psychologist who over the course of the last fifteen years been studying, both academically and practically, African and Afro-derived cults in the New World. This has led to a multiplicity of initiations into Vodou, both from Benin and Haiti, Santeria, Kimbanda, Palo Mayombe and Ifa. He makes part of the council of elders in the Ogboni society of Abeokuta, Nigeria. This is a significant expansion of the material first presented by Frisvold in his early work on the subject Kiumbanda which focussed on Exu. He has for the last decade lived in Brazil where his studies and involvement in traditional forms of metaphysics, faith, cult and witchcraft is a constant theme in his life. Rouge PB £16.00
THE BLOOD OF THE EARTH
John Michael Greer
1st 2012 184pp Scarlet Imprint. Edenic Green cloth, blocked in black foil. Ltd. ed. 747 copies.
Industrial culture is in collapse. There is no possibility of infinite growth on a finite planet and oil, our most critical resource, has passed its peak.
We have entered a period of radical flux, and magic must respond to the world in which it operates, or it is nothing but empty escapism.
The Blood of the Earth is a challenging and radical book. It fuses hard physical science with an adept’s understanding of magic.
It is a smart, articulate and devastating piece of writing. You could call it a polemic. You could call it a prophetic work.
Magic, like peak oil, is the voice our civilisation has failed to heed. Greer argues passionately that the answers to our darkening age are to be found in the practice of magic, provided we understand what it can and cannot do.
He gives a lucid explanation of how magic works and crucially, where it does not. His vision of the future covers the dangers of political thaumaturgy and the threats of new dictatorships in an increasingly unstable world. Neither does he shy away from a critique of the mind control antics of the black magicians of the advertising industry. Cautionary examples of UFO cults, mysterious assassinations and fake science are all grist for his mill.
Whilst attacking the failures of scientific materialism and the empty technological utopias he does not spare the New Age. Instead he presents a tour de force of occult philosophy covering Neoplatonism, Theurgy, Ritual magic, and thinkers as diverse as Aristotle, Giordano Bruno, Joseph Peladan and Rudolph Steiner. He presents the highly practical mental training methods of magic for countering the tyranny of dualistic thinking.
Clearly written and accessible, The Blood of the Earth is part of the fusion of deep ecology and deep paganism we continue to champion, and is equally relevant to heathen, druid, magician and witch.
By reading this book you will have a far clearer understanding of the unfolding future. More than that, it will give you clear and direct strategies to break free of the mind forg’d manacles.
John Michael Greer is a leading writer in the peak oil movement, and an accomplished Hermeticist with 27 books to his name. £35.00
Nicholaj de Mattos Frisvold (ed)
1st 2013 224pp Scarlet Imprint hardback. Ltd. Ed. 750 copies.
Serpent Songs are the works and words of those who remain untamed, from Cunning Folk to Exorcists to Pellars to Sorgin and Witches and Mystics. A collection of fifteen essays are introduced and curated by Nicholaj de Mattos Frisvold through whose contacts we encounter the worlds of lone practitioners and tradition holders, from both family and clan, and are allowed a rare glimpse into the workings of the more secretive proponents of the Craft. Serpent Songs contains the works of Cornish and Basque witchcraft, the relatively unknown Swedish Trolldom, the persecuted Bogomils, and Italian Stregoneria.
Members of 1734, Clan of Tubal Cain, an ex member of The Companie of the Serpent-Cross are among those who choose to share their experiences. Light is shed on such important figures as Robert Cochrane, Evan John-Jones and Andrew Chumbley amongst others, but more than illustrious ancestors, Traditional Craft is revealed as a living throng.
These are the voices of those who work the art and this book details their practices, struggles and wayward journeys. Serpent Songs takes a crooked path through the landscape, from historical studies to practical acts, from lonely stone stiles set between deep hedges to the warm entrails of animals and forays into the caves and woods. These tresses are woven into an undulating nest of serpents.
Serpent Songs is a wide ranging work that deals with the issues of witch blood, taboo, the other, the liminal state, fire, dream, art and need as vectors of the Craft. What emerges is not a narrow definition of what it means to engage in Traditional Craft, but a set of shared characteristics and approaches which become evident despite the cultural gulfs in place and time. This is a book of praxis, beliefs and their own definitions of the art itself rather than those applied to it by outsiders. These are the voices who for the most part operate in silence but now wish to be heard. Contributors include Gemma Gary, Shani Oates, Steve Patterson etc. £40.00
EXU AND THE QUIMBANDA OF NIGHT AND FIRE
Nicholaj De Mattos Frisvold
2013 335pp Scarlet Imprint trade paperback. Illus
Exu & the Quimbanda of Night and Fire, is the strong companion to Pomba Gira and together with her gives the most complete account of this sorcerous cult.
Exu is the fusion of Umbanda, Angolan sorcery, European demonology and Kardec's spiritsm, erupting in a uniquely Brazilian cult of practical magical action. Spells, workings, hierarchies and origins are all given in detail.
This is an essential text for students of the grimoires, Satanism and Traditional Witchcraft, as well as those drawn to or working within the cults of Quimbanda, Candomble, Santeria, Palo Mayombe and the ATRs.
Quimbanda is a living tradition that gets results. It is a massive storehouse of magical lore, heresies and history which has absorbed aspects of Goetia, Grimorium Verum, Red Dragon and even Huysman's La Bas.
The origin of Exu is explored from the iconic Baphomet of Eliphas Levi and the influence of St Cyprian the patron saint of necromancers, back to Umbanda and the traditional African religions. Exu revels in a unique heritage that encompasses a Gnostic account of the crucifixion mystery, the concealed nature of St Michael Archangel and the native Shamanism of the Caboclos.
A forceful spirit, Exu presides over the kingdom of the world, and offers a fierce path for those that would take him as companion. He asks, what does it mean to be a man?
The Seven Legions of Exus are 'hot' spirits, and their work is considered black magic. The perils of this work are given, with the dangers of obsession by the Qlippoth and vampirism described. Guidance is offered and the path to ascension shown.
In Exu Frisvold gives explicit workings for good and ill, a herbarium and details of offerings, powders and baths, songs and seals. He discusses the fearsome Exu Mor for the first time, a subject not treated in his previous works. £17.00
THE RED GODDESS
Limitless Love rouge edition 2011 Scarlet Imprint trade p/b.
The Red Goddess takes you through a tale of sex, drugs and violence.
This is an ecstatic journey through the unheard history of Babalon from Revelations, back through the Ishtar Gate and forward into a living modern magickal current.
This is an explicit and challenging vision of a very modern goddess coming into power.
This is more than a history, it is a passionate account of living magick and the transcendent power of Love.
The epic sweep of the text takes us from Babylon to Jerusalem to Rome, and onwards to Apocalypse.
It looks at the Angelic work of renaissance mage John Dee.
It delivers a devastating exegesis on the excesses of Aleister Crowley, and unlocks the secrets of Waratah Blossoms.
It explains the immolation of the Californian antichrist-superstar Jack Parsons and his relationship with scientology founder L.Ron Hubbard.
There is also a full supporting cast of Solomon, Simon Magus, St John the Divine, Earl Bothwell, the Templars, Mary, the Magdalene and countless others.
This is the missing history of the Love Goddess in the West.
Thirteen essays conclude the book on subjects including: roses, mirror magick, bdsm, aphrodisiac drugs, the information age, love vs lust, and the meaning of apocalypse.
The Red Goddess is for anyone with blood in their veins, regardless of tradition, background or experience.
It is a love story. £15.00
1st 2011 240pp Scarlet Imprint rouge edition paperback. A chimeric binding of both The Black Dragon and the Enchiridion of Pope Leo III in a fresh translation by grimoire magician Michael Cecchetelli who was compelled to undertake this work in unorthodox circumstances.
They are complementary grimoires, spanning the very earliest example of the genre to the late bibliotheque bleue period.
Together they comprise a wealth of spells, spirits, lore, talismans and psalm magic, with their head in the highest heavens and their feet in the deepest hells. This is the first time they have been bound into one volume.
Extensively footnoted, the seals corrected, re-drawn and restored, with excerpts and workings from the translator's magical record, this is a well armed and practical text which throws light on the Grimorium Verum, Red Dragon and Grand Grimoire. It is a vigorous text, designed to be put to use. £15.00
GEOSOPHIA - THE ARGO OF MAGIC
2010 Rouge edition paperbacks 2 vols 700pp Scarlet Imprint. 8pp colour plates, illustrations, maps and tables.
This is Jake Stratton-Kent's masterpiece, tracing the development of magic from the Greeks to the grimoires, it lays bare the chthonic roots of ritual. By exposing the necromantic origins of much of modern magic we are able to reconnect with the source of our ritual tradition. There is a continuity of practice in the West which encompasses the pre-Olympian cults of Dionysus and Cybele, is found in the Greek Magical Papyri and Picatrix and flows into the grimoires. Rather than a muddle of superstition, the grimoire tradition is revealed as the living descendant of the ancient practices of the Goes.
This is a work which redefines our understanding of the Western Tradition, one which does not begin with Cabbala or Solomon, but rather descends into the Underworld and brings forth new life. JSK illuminates scarce and overlooked texts with an incisive commentary, from volcanic conjourations to over 70 pages dealing with Picatrix. Following the voyage of the Argonauts, Geosophia offers biographies of the heroes and gods, and discovers the hidden magical meanings and significance of their actions and adventures.
Yet this is not a history lesson, JSK dares to imagine a global synthesis of magic where Western goetic magic, reconnected to its cthonic origins can dovetail with the African Traditional Religions. Like The True Grimoire, this further work in the Encyclopaedia Goetica series is both a scholarly and eminently practical work. Geosophia equips the modern grimoire magician with an arsenal of techniques and approaches that will transform their personal art.
The mythic structure of Geosophia anchors the practice of the modern necromancer in an indigenous yet eclectic history which transfuses the Western Magical Tradition with the same vitality that we find in the African diaspora religions.
Two volume rouge paperback set £34.00
PALO MAYOMBE, THE GARDEN OF BLOOD AND BONES
Nicholaj de Mattos Frisvold
2011 240pp Scarlet Imprint Rouge edition paperback.
Palo Mayombe - The Garden of Blood and Bones is an initiates account of this much maligned religion and cult whose central nigromantic mystery is the prenda, the cauldron containing the human skull or bones, re-animated by living spirit.
Nicholaj de Mattos Frisvold traces the roots of Palo Mayombe back to Kongolese sorcery, the warrior and leopard societies, and the impact of the Portugese Mission. The original African faith is carried in chains across the abysmal waters of Kalunga and it flowers in Cuba as a New World Creole religion and cult. Yet Palo Mayombe can only be truly understood in the light of a highly developed African cosmology.
In drawing parallels with both the Ancient Greek practices of Necromancy and Nigromancy, and the Grimoire tradition, Nicholaj also illuminates the Western Tradition, showing what we have lost in our denial of the dead and the cult of the ancestors. The magical head of Palo Mayombe in it's three legged iron cauldron has implications for understanding our own histories, whether Odin, Baphomet, Bran, John the Baptist or Orpheus. The Misa Espiritual suggests one way in which we can reforge that vital connection and resurrect both our dead and ourselves.
In Palo Mayombe the golden vein of fire still transmits the ancestral wisdom and transforms the Paleros into true spiritual warriors who are the walking dead.
The Garden of Blood and Bones gives explicit detail of the workings of Palo Mayombe for good and ill. The method of divination, the herbs, animals, trees and plants, powders, baths and waters, the songs and chants. It presents a complete living system one which embraces both the arts of healing and resurrection, and those that remove life.
This is a serious study which confronts the sinister and violent aspects of the cult, but rather than purveying lurid sensationalism expresses the deep dignity and integrity of its nature £16.00
TRINITY STAR TRINITY
1st 2017 48pp Scarlet Imprint hardback in d/w. Azure silk cloth with textured black endpapers. Ltd. ed. 216 copies.
Katy Bohinc’s Trinity Star Trinity is a long poem dedicated to the divine feminine, written in response to her experiences and encounters with faith and deity during a sojourn on the islands of Lesvos, the home of Sappho; Samos, the birthplace of Hera; and Patmos, where St John wrote the Book of Revelation. Bohinc ‘embraces Sappho’s conception of desire – rather than John’s defamatory take,’ and the poem bears witness to her interest in astrology, triangles, and early mathematics. Yet the esoteric nature of this material is made startlingly tangible and present by the candid language of the poem, and in its formal structure. Above all, ‘its beauty comes from how the language might rise off the page.’
With Trinity Star Trinity Katy Bohinc has reclaimed the ancient form of the ode or chant in an Oulipian mathematical reinvention which transports faith and the trinity to an expanded dimension: three cubed, or 27 poems of 27 words each. £25.00
THE TRUE GRIMOIRE
2009 280pp Scarlet Imprint Rouge paperback edition. Profusely illustrated with characters, sigils, magic squares, and pontos riscados.
This is a volume with presence, as befits one housing so many spirits. Strictly limited and hand-numbered edition of a thousand copies.
The True Grimoire is a major contribution to the practice and study of Goetic magic.
The neglected Grimorium Verum has been restored to its rightful place as a potent and coherent system of Goetic magic.
Jake Stratton-Kent has reconstructed a working version from the corrupted Italian and French versions of this important grimoire. As a practicing Necromancer with 37 years of experience his Verum is a clear exposition of how to contact and build a relationship with the spirits.
The True Grimoire springs from the source of Goetic magic, enabling us to unlock the secrets of the other grimoires. We are given insights into the Dragon Rouge, Key of Solomon, Lemegeton, Abramelin, Honorius and the Black Pullet. This is a treasure trove for the student of magic.
The True Grimoire lets us experience a grimoire tradition with links back to the Greco-Egyptian Magical Papyri and the necromancy of the original Goes. It also places Verum within a living tradition, one which has taken root in the New World, finding expression in Quimbanda and the Legion of Exus, the 'People of the Cemetery' who have clear Verum equivalents.
This is a consistently illuminating text. The copious notes of a working magician, combined with a scholarly attention to detail, enable us to use this text for its original purpose. The hierarchy of Verum and Goetic spirits is restored, the nature of Astaroth is definitively set down. The planetary hours are explained, as are all the ritual requirements and preparations. £15.00
BABALON AND OTHER PLAYS
Paul A. Green
1st 2015 322pp Scarlet Imprint trade p/b.
Babalon and Other Plays comprises ten works by Paul A. Green, written and performed over a 33 year period, from 1972 to 2005. The plays of Paul Green provide a crawling map of the modern occult, written by an insider who charts the most febrile period it has undergone. From the death rattle of Crowley, who also stalks a quailing Montague Summers’ dreams, through the tragedies of Jack Parsons and Graham Bond, to the snaking wires and interconnects of DJs, rappers and EVP hunters, he captures the sense of danger that the incursion of magick brings into human lives. Neo-Nazi necromancers raise the shade of the Fuehrer. Cursed jazz is blown out of an Atlantean sax mouthpiece. The saga of Graham Bond, who believed himself to be Crowley’s secret son, is told. Pitched rap battles and Electronic Voice Phenomena shriek through the airwaves whilst disembodied DJs drift into the starry heavens. Murder occurs in the final cuts of a doomed movie shot in a Saharan city state. Secrets are divulged and dreams plundered by the agents of control. Magick and music riff off each other in a Burroughsian interzone.
The text at the heart of the collection, Babalon, was performed by Travesty Theatre at the Gielgud Studio in London in 2005 with a cosmopolitan cast drawn from the London occult underground. Telling the tragic story of Marjorie Cameron and Jack Parsons, the play had been dropped by the BBC at the very last moment – perhaps due to the long shadow of the other participant in the working, Lafayette Ronald Hubbard of Scientology infamy. Paul Green brings the episode vividly to life, in a stirring ritual recapitulation of the birth of Babalon in the modern era. £15.00
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|Three Hands Press|
|Aleister Crowley & Related|